| LINDE IVIMEY |
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| BIOGRAPHY |
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| 1965 | Born Sydney, Australia |
| Currently lives Melbourne and Sydney, Australia |
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| SOLO EXHIBITIONS |
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| 2013 | High lights from 'If Pain Persists", Cairns regional Gallery, Far North Queensland |
| 2012 | Survey Exhibition, University of Queensland Art Gallery, Brisbane |
| Take Two, Jan Murphy Gallery, Brisbane |
| Set In Bone, Martin Browne Fine Art, Sydney |
| Leave no Bone Unturned, Gould Galleries, Melbourne |
| 2009 | Linde Ivimey, Martin Browne Fine Art, Sydney |
| 2008 | Private Viewing, Darlinghurst Studio, Sydney |
| 2007 | From Birth to Earth, Martin Browne Fine Art, Sydney |
| 2006 | Only the Memory, Gould Galleries, Melbourne |
| Old Souls- New Work, Martin Browne Fine Art, Sydney |
| 2003 | Close to the Bone, Heide Museum of Modern Art, Melbourne |
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| SELECTED GROUP EXHIBITIONS |
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| 2012 | Murr-mur, Michael Reid, Berlin, London |
| Walking with Alice, South Australian School of Art, Adelaide |
| Multiply, Hastings City Art Gallery, Hawkes Bay, New Zealand |
| 2011 | Auckland Art Fair 2011, Martin Browne Fine Art, Auckland, New Zealand |
| 2010 | Melbourne Art Fair 2010, Martin Browne Fine Art, Melbourne |
| 2009 | University of Queensland National Artists’ Self Portrait Prize, UQ Art Museum, Brisbane |
| Auckland Art Fair 2009, Martin Browne Fine Art, Auckland, New Zealand |
| Women in the Bible, The Jewish Museum, Melbourne |
| 2008 | Autumn Catalogue, Martin Browne Fine Art, Sydney |
| Melbourne Art Fair 2008, Martin Browne Fine Art, Melbourne |
| Bal Taschit, The Jewish Museum, Melbourne |
| 2007 | Winter Catalogue, Martin Browne Fine Art, Sydney |
| Autumn Catalogue, Martin Browne Fine Art, Sydney |
| Blood Lines, Hawkesbury Regional Gallery, Windsor (Touring Nationally) |
| Culture Trackers, 24 Hour Art Centre, Darwin |
| Auckland Art Fair 2007, Martin Browne Fine Art, Auckland, New Zealand |
| 2006 | Summer Exhibition, Martin Browne Fine Art, Sydney |
| Strange Cargo: Contemporary Art As A State Of Encounter, Newcastle Region |
| Gallery (Touring Exhibition) |
| 2005 | Martin Browne Fine Art, Auckland Art Fair, Auckland, New Zealand |
| Natural Selection, Linden Centre for Contemporary Art, Melbourne |
| New Haven, Uber Gallery, Melbourne |
| 2004 | Melbourne Art Fair 2004, Gould Galleries, Melbourne |
| Heavenly Creatures, Heide Museum of Modern Art, Melbourne |
| 2003 | National Sculpture Prize & Exhibition, National Gallery of Australia, Canberra |
| The Makers Craft, Counihan Gallery, Melbourne |
| McClelland Sculpture Survey, McClelland Gallery, Melbourne |
| 2001 | National Sculpture Prize & Exhibition, National Gallery of Australia, Canberra |
| 2000 | Menagerie, The Gold Treasury Museum, Melbourne |
| The Blake Prize for Religious Art, S.H Ervin Gallery, Sydney |
| Sculpture Survey, Gomboc Sculpture Gallery, Perth |
| 1999 | Materiality, RMIT Project Space, Melbourne |
| The Tactile Art Award, Object Galleries, Customs House, Sydney |
| 1998 | Sixth Australian Contemporary Art Fair for Gomboc Gallery, Western Australia |
| Exhibition Buildings, Melbourne |
| Millennium, Gomboc Sculpture Gallery, Western Australia |
| 1997 | Aspects of Fremantle, The Mores Building, Fremantle |
| I, Shadow, Australian Galleries, Melbourne |
| Festival, New Collections Gallery, Perth |
| 1996 | Sculpture Survey, Gomboc Sculpture Gallery, Western Australia |
| Bravado, Delaney Galleries, Perth |
| Field Day, Ballidu Contemporary Art Society, Ballidu, Western Australia |
| Eggsamples, WA Ostrich Company, Perth (touring nationally and internationally) |
| The Monaro Show, Fremantle Art Centre, Fremantle |
| 1995 | Plot, Kalla Yeedip Gallery, Midland, Western Australia |
| Substantial Stuff, CSA Gallery, Perth |
| Homocraft, Craftwest Gallery, Perth (& touring nationally) |
| 1994 | In Spirit & Form, Bunbury Galleries, Bunbury |
| Taugman, The Ties That Bind, Perth Institute of Contemporary Art & The Australian |
| Centre, Manilla |
| 1993 | Life Size, Lawrence Wilson Gallery, Perth |
| Heavier Than Air, Perth Institute of Contemporary Art, Perth |
| Skin, Perth Institute of Contemporary Art, Perth |
| 1992 | Advantage of Isolation, Blaxland Gallery, Sydney |
| When I’m 69, Delaney Galleries, Perth |
| Body Contact, Perth Gallery, Perth |
| Nexus, Access Contemporary Gallery, Lismore |
| City Challenge, Art Gallery of Western Australia, Perth |
| Two Faces Have I, Perth Institute of Contemporary Art, Perth |
| Art Works, Edith Cowan University, Perth |
| Fremantle Art Award, Energy Museum, Fremantle |
| National Womens Arts Festival, Tin Sheds Gallery, Sydney |
| Please Be Seated, Museum Of Western Australia, Perth |
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| COLLECTIONS |
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| National Gallery of Australia |
| National Gallery of Victoria |
| Holmes à Court Collection |
| Hugo Collection |
| Keating Collection |
| Liz & Lloyd Horn Collection |
| Newcastle City Art Gallery |
| Waneroo City Council |
| Western Australia School of Art, Design & Media |
| Private Collections (Australian & International) |
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| | AWARDS AND PRIZES |
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| Creative Design Award, City of Perth & Challenge Bank |
| Gomboc Sculpture Award, Perth |
| Design Award, AIDS Council of WA |
| Friends of Dorothy Award for Sculpture, Perth |
| Outstanding Achievement, Channel 10 Young Achievers Award |
| Inaugural State Energy Commission of WA & Fremantle City Art Award |
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| BIBLIOGRAPHY |
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| 50 Most collectable Artists, Australian Art Collector, Issue 51, p. 206, January- March |
| 2010 |
| Collins Artists Diary, 2010 |
| 50 Most collectable Artists, Australian Art Collector, Issue 47, January- March 2009 |
| Boccalate, Suzanne. Hair, Trunkbooks, Series 1, pp. 37- 41, May 2009 |
| What Now, Australian Art Collector, Issue 48, pp. 106- 107, April- June 2009 |
| 50 Most Collectable Artists, Australian Art Collector, Issue 43, pp. 144- 147, January- |
| March 2008 |
| McDonald, John. From Eerie to Equine, Sydney Morning Herald (Spectrum), pp. 16 – |
| 17, 29 September 2007 |
| Baum, Caroline. Linde Ivimey: From Birth to Earth, Sydney Morning Herald |
| (Spectrum), 3 September 2007 |
| McCulloch, Alan Susan and Emily, Linde Ivimey in The New McCulloch’s |
| Encyclopedia of Australian Art, Australian Art Editions, p. 545, The Miegunyah Press |
| 2006 |
| Clarke, Deborah. Front Cover Art Monthly, number 191, July 2006 |
| Mitzecich, Nick. Strange Cargo: Contemporary Art As A State Of Encounter, |
| Newcastle Region Gallery, pp. 40- 41, represented by image and text, Printed on |
| the occasion of the touring exhibition, 2006 |
| Reid, Michael. Linde Ivimey, Good Weekend/Sydney Morning Herald, p.17, 17 |
| September 2005 |
| Kiely, Annemarie. Obsessions, Belle Magazine Australia, pp. 38-42, January/ |
| February 2005 |
| Gellatly, Kelly. Close To The Bone, Heide Museum of Modern Art Melbourne, p. 24 |
| (Illustrated), Winter 2003 |
| Taylor, Elena & Chandler, Rebecca. Sculpture in Focus, artonview, Issue 33, pp. 17- |
| 23, Autumn 2003 |
| Taylor, Roger. Catalogue of a life, World Sculpture News, vol 7, no. 4, PP. 38- 41, |
| Autumn, 2001 |
| James, Bruce. God Moves in Mysterious Ways, Sydney Morning Herald (Spectrum), |
| P. 2, 2 December 2000 |
| Turley, Dir. Louise. Artists At Work: Linde Ivimey, ABC TV, First screened on ABC TV |
| Australia, 14 August 2000 |